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I
was first introduced to pottery during a visit to a very primitive
pottery workshop held by a disabled potter in Togo (West Africa) where I
was absolutely fascinated by the way she skilfully crafted the most
beautiful pot with such limited resources.
Eight years later, I took up pottery in earnest in Botswana (Southern
Africa) where I was taught by South African potter, Geraldine Hester.
On my return to England, I set up my studio in Horsham and have
since displayed my work at several local exhibitions as well as in
London, Southampton, Portsmouth, Salisbury and Winchester.
My greatest source of
inspiration for the forms and colours comes from the memories of my
early years in France and my subsequent life in Africa.
I enjoy any process where nature has a part to play.
I like the random line strokes of the Agateware created by the rotation
of the wheel and the unpredictable trickle effect of the gold slip on
the turquoise pots.
But my preference lies with sculptural one-off pieces that I smoke
fire. The unexpected effect of the smoke firing makes this primitive
firing technique very exciting and attractive. It allows me to bring
more natural elements into my pottery, as pots can be fired with a range
of products from seaweed through to seed pods with often unexpected
outcomes.
The richness of the earthenware clay together with the smoke firing
process and the colour and elegance of the glaze pieces try to capture a
combination of images and smells of Africa and the South of France.
These themes are especially apparent in my hand sculptured stylised
African ladies. Each individually crafted lady is named after a place in
Botswana. She is also uniquely dressed, with the pattern on the dress
seeking to capture the different styles of cloth common in Africa, while
highlighting a certain unmistakable elegance. Some are in earthenware
and smoke-fired reflecting the rich colour of the African soil; others
are in raku giving a wonderful contrast between the glazed clothing and
the black head and shoulders.
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